The museum is named after Framji Dadabhoy Alpaiwalla, an antique collector whose passion was such that he ran out of space in his eleven-room home to host his collection. ‘Most collectors devote a percentage of their income to art collection. Alpaiwalla exercised no such self-restraint,’ said Nivedita Mehta, the first Curator of the Museum. He donated his vast collection to the Bombay Parsi Punchayet, which set up the F.D. Alpaiwalla Museum.
The museum is named after Framji Dadabhoy Alpaiwalla, an antique collector whose passion was such that he ran out of space in his eleven-room home to host his collection. ‘Most collectors devote a percentage of their income to art collection. Alpaiwalla exercised no such self-restraint,’ said Nivedita Mehta, the first Curator of the Museum. He donated his vast collection to the Bombay Parsi Punchayet, which set up the F.D. Alpaiwalla Museum.
Pheroza Godrej is an art-historian and a Ph.D. in Ancient Indian Culture.
She founded the Cymroza Art Gallery and authored various publications and curated highly acclaimed exhibitions for leading National and International Museums.
She is Chairperson of the Museum Society of Mumbai; former President of the National Society of the Friends of the Trees for 17 years, President Emeritus since 2016.
Dr. Godrej is Trustee of Dr. Bhau Daji Lad Museum, Impact India Foundation, and the Sea Cadet Corp India; Director of Asia Society India Centre; and on the Advisory Executive Board of the Ashoka Trust for Research in Ecology and the Mehli Mehta Music Foundation.
The Asiatic Society of Mumbai conferred her with the Society’s Honorary Fellowship for her outstanding contribution in the field of art and culture.
Dr. Godrej is the Chairperson of the Godrej Archives Council and Advisor, Godrej Mangroves Cell.
Pheroza Godrej is an art-historian and a Ph.D. in Ancient Indian Culture.
She founded the Cymroza Art Gallery and authored various publications and curated highly acclaimed exhibitions for leading National and International Museums.
She is Chairperson of the Museum Society of Mumbai; former President of the National Society of the Friends of the Trees for 17 years, President Emeritus since 2016.
Dr. Godrej is Trustee of Dr. Bhau Daji Lad Museum, Impact India Foundation, and the Sea Cadet Corp India; Director of Asia Society India Centre; and on the Advisory Executive Board of the Ashoka Trust for Research in Ecology and the Mehli Mehta Music Foundation.
The Asiatic Society of Mumbai conferred her with the Society’s Honorary Fellowship for her outstanding contribution in the field of art and culture.
Dr. Godrej is the Chairperson of the Godrej Archives Council and Advisor, Godrej Mangroves Cell.
Firoza Punthakey Mistree, along with Dr. Pheroza J. Godrej has been appointed by the Trustees of the Bombay Parsi Punchayet to serve as Honarary advisors for the F. D. Alpaiwalla Museum. Their role entailead upgrading and reimagining the museum, a legacy project of the Parsi Irani Zoroastrian community. Mistree’s work has highlighted the importance of preserving the vulnerable heritage, artistry and historical significance of the museum’s artifacts. Her contribution has brought attention to the rich heritage and cultural achievements of the Parsi Irani Zoroastrian Community.
Awards and Recognition:
In 1990, she received the Fezana Award for Humanitarian Services for coordinating a resettlement program for displaced Iranian Zoroastrians stranded in India and Pakistan. She worked closely with UNHCR and the Red Cross to assist displaced Iranians and Vietnamese boat refugees in India. In 2018, she received the ‘Zoroastrian Trust Funds of India’ Award for Cultural Preservation.
She works with Zoroastrian Studies Mumbai, with a primary focus on the vulnerable heritage of the Parsi Irani Zoroastrian community.
Publications and Contribution:
She has co-edited several publications with Pheroza J. Godrej, including:
– A Zoroastrian Tapestry: Art, Religion & Culture (2002)
– Across Oceans & Flowing Silks From Canton to Bombay 18th-20th Centuries, No Parsi Is An Island (2013)
– Painted Encounters, Parsi Merchants and the Community (2016)
– The Framji Dadabhoy Alpaiwalla Museum (inaugural catalogue – 2025) published for the reopening of the Alpaiwalla Museum
She has also contributed to The Everlasting Flame: Zoroastrianism in History and Imagination (2013) and its Supplementary Catalogue (2016), both books, accompanied exhibitions she co-curated.
Recently she co-edited The Selected Scholarly Writings of Dastur Firoze. M. Kotwal, vol. 1 (2018) and vol. 2 (2025)
The articles she has published, include the ‘Laying of the Sopra-e Shah Pariya’, Rudyard Kipling’s connection to the Parsi community. ‘The Lure of China and Parsi Portraiture’, a Biography of Dastur Firoze M. Kotwal.
Her more recent work is on ‘Fire Temple Water Wells and Popular Zoroastrian Practices’ and on ‘Identity and Silk’ – Parsi Textiles of the China Trade.
She also has worked on and has a particular interest in the costumes of the Zoroastrians of Yazd.
Firoza Punthakey Mistree, along with Dr. Pheroza J. Godrej has been appointed by the Trustees of the Bombay Parsi Punchayet to serve as Honarary advisors for the F. D. Alpaiwalla Museum. Their role entailead upgrading and reimagining the museum, a legacy project of the Parsi Irani Zoroastrian community. Mistree’s work has highlighted the importance of preserving the vulnerable heritage, artistry and historical significance of the museum’s artifacts. Her contribution has brought attention to the rich heritage and cultural achievements of the Parsi Irani Zoroastrian Community.
Awards and Recognition:
In 1990, she received the Fezana Award for Humanitarian Services for coordinating a resettlement program for displaced Iranian Zoroastrians stranded in India and Pakistan. She worked closely with UNHCR and the Red Cross to assist displaced Iranians and Vietnamese boat refugees in India. In 2018, she received the ‘Zoroastrian Trust Funds of India’ Award for Cultural Preservation.
She works with Zoroastrian Studies Mumbai, with a primary focus on the vulnerable heritage of the Parsi Irani Zoroastrian community.
Publications and Contribution:
She has co-edited several publications with Pheroza J. Godrej, including:
– A Zoroastrian Tapestry: Art, Religion & Culture (2002)
– Across Oceans & Flowing Silks From Canton to Bombay 18th-20th Centuries, No Parsi Is An Island (2013)
– Painted Encounters, Parsi Merchants and the Community (2016)
– The Framji Dadabhoy Alpaiwalla Museum (inaugural catalogue – 2025) published for the reopening of the Alpaiwalla Museum
She has also contributed to The Everlasting Flame: Zoroastrianism in History and Imagination (2013) and its Supplementary Catalogue (2016), both books, accompanied exhibitions she co-curated.
Recently she co-edited The Selected Scholarly Writings of Dastur Firoze. M. Kotwal, vol. 1 (2018) and vol. 2 (2025)
The articles she has published, include the ‘Laying of the Sopra-e Shah Pariya’, Rudyard Kipling’s connection to the Parsi community. ‘The Lure of China and Parsi Portraiture’, a Biography of Dastur Firoze M. Kotwal.
Her more recent work is on ‘Fire Temple Water Wells and Popular Zoroastrian Practices’ and on ‘Identity and Silk’ – Parsi Textiles of the China Trade.
She also has worked on and has a particular interest in the costumes of the Zoroastrians of Yazd.
She is the present day administrator of the F. D. Alpaiwalla Museum. In the past she has worked as the Management Assistant for 32 years at the Consulate General of Netherlands in Mumbai.
She is the present day administrator of the F. D. Alpaiwalla Museum. In the past she has worked as the Management Assistant for 32 years at the Consulate General of Netherlands in Mumbai.
He was a French speaking scholar archaeologist and a Parsi priest trained at the Louvre School of Archaeology. The Mission Archeologique de Susiane invited him to participate in the excavation at Susa under the French archaeologist Roland de Mecquenem.
He excavated in Susa from 1937 to 1939, working on the ‘City of Artisans’ and other Parthian and Sassanian Sites and brought back Proto-Elamite tablets, glazed bricks from the ‘Archer’s Freeze’ and several buff-coloured clay vases, pots and several large bricks bearing cuneiform inscriptions.
He was a French speaking scholar archaeologist and a Parsi priest trained at the Louvre School of Archaeology. The Mission Archeologique de Susiane invited him to participate in the excavation at Susa under the French archaeologist Roland de Mecquenem.
He excavated in Susa from 1937 to 1939, working on the ‘City of Artisans’ and other Parthian and Sassanian Sites and brought back Proto-Elamite tablets, glazed bricks from the ‘Archer’s Freeze’ and several buff-coloured clay vases, pots and several large bricks bearing cuneiform inscriptions.
She was an archaeologist graduated from Deccan College, Pune.
She was an archaeologist graduated from Deccan College, Pune.
He is the Deputy Curator at the F.D.Alpaiwalla Museum. He is also a Parsi priest and a scholar of History , MA, from University of Mumbai. He also has a PGDM in Administration and Human Resources.
He is the Deputy Curator at the F.D.Alpaiwalla Museum. He is also a Parsi priest and a scholar of History , MA, from University of Mumbai. He also has a PGDM in Administration and Human Resources.